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| “New
music is alive. All music is alive, of course, we bring life to
it. But it’s really interesting to work with something that
is newly composed... it can be extremely challenging.”
Michele
Verheul
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March 2008 - Nicole Laidler
Michele Verheul loves playing contemporary music. Before joining
Orchestra London as principal clarinet in 2003, she spent 15 years in
Toronto freelancing with various New Music ensembles including Hemispheres
– a 15-member big band whose members were both jazz and classical
players. “That was the craziest thing that I did,” says Verheul.
“There was a lot of free improvisation.”
As a soloist and member of the Riot Trio, Verheul commissioned works from
Canadian composers like James Tenney and Sergio Barroso. So it comes as
no surprise when Verheul says her favourite Orchestra London concert series
is Discovery, which is dedicated to 20th century repertoire.
“New music is alive,” she says, explaining her passion for
contemporary composition. “All music is alive, of course, we bring
life to it. But it’s really interesting to work with something that
is newly composed because you never know what you’re going to get.
It can be extremely challenging.”
Verheul – a classically trained musician who holds a master’s
degree from the prestigious Eastman School of Music in Rochester, N.Y.
– won her position with Orchestra London after deciding that she
wanted to explore her instrument’s more traditional, classical repertoire.
“I thought it might be nice to play in an orchestra for a while,”
she says. “And I like working in the orchestra because it gives
me the opportunity to play this great repertoire and work in a group.”
Despite her passion for playing classical and contemporary repertoire,
Verheul names Bach as her favourite composer. “I listen to a lot
of baroque music, probably because that’s not an era that used the
clarinet,” she laughs.
And if she’s not listening to Bach, then chances are there’s
world or gypsy music coming from the CD player, courtesy of Verheul’s
husband, klezmer clarinetist Martin van de Ven.
Van de Ven’s career takes him on frequent trips to Europe, especially
in the summer months. “During the year he’s home a lot while
I’m working. We try to share the work-family balance,” says
Verheul.
The couple, their 12-year-old son and dog, Max, moved to London in 2005.
“After living in Toronto, London is quite nice,” says Verheul.
The family enjoys walks along the Thames River, but misses some of the
cultural activities available in the big city. “I don’t know
if that’s because there’s not as much happening here or because
I’m really busy with Orchestra London,” she says. “But
I do feel fortunate to have this setup to play in.”
Photo by Michael Dismatsek
Orchestra London’s 2007/08 season marks
50 years since incorporation. Orchestra London is celebrating this
anniversary with the launch of several fundraising initiatives, including
the Chair Sponsorship Program. Individuals, corporations or community
groups are invited to sponsor an individual musician, an entire orchestral
section or a special guest artist.
Benefits include invitations to exclusive receptions, open rehearsals
and the end-of-the-season celebration, recognition in the house program
and the satisfaction of supporting London’s only professional
orchestra.
Join the 50th Anniversary Celebrations by partnering with Orchestra
London as it embarks on another half-century of music making.
For more information about the sponsorship program, please contact
Sherry Foster at 519-679-8558 x 228, or sfoster@orchestralondon.ca.
Full details and tickets for Orchestra London’s 2007-08 season
are available at www.orchestralondon.ca. |
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